#so there will probably be quite a bit of output this week

[covertleathers]

Personal

[blackberrysummerblog]

Hi all! I’m just out here being three weeks late with my 2024 Writing Round-Up, and thank you so much to @monbons, @forabeatofadrum, @confused-bi-queer, @rimeswithpurple, @nausikaaa, @prettygoododds, @ileadacharmedlife, @artsyunderstudy, @best--dress, @j-nipper-95, @roomwithanopenfire, @you-remind-me-of-the-babe, @imagineacoolusername, @mooncello, and @thewholelemon for tagging me! I hope I didn’t miss anyone, and thank you as well to everyone who’s been tagging me for Six Sentence Sunday and WIP Wednesday this month. Without getting too much into it, I am BURNT. OUT, and it’s making me retreat from even the things I enjoy the most, like writing and catching up on everyone’s beautiful fandom works.

But, I’m determined to make this round-up post, even if it takes me a couple of days to put together. There’s a lot here! Almost all of it was from COC, which I was hellbent on finishing this year, and did! Here’s the list, in chronological order, of all published writing for 2024:

The Field Trap, 1/2 (5272, M) This has been sitting unfinished for a bit, but I do anticipate it being completed. I discovered a real love for Watford-era fics toward the end of the past year, but it probably all began for me two years ago when I wrote Field Trip of Dreams, the prequel to Field Trap. At any rate, I haven’t forgotten the fic, and Field Trap may end up with an E rating in the second chapter.

Time Will Lie Down and Be Still (26,201, M) This is the fic I’m most proud of this year. It’s the result of my COBB collab with @rimeswithpurple, and it’s been such an inspiration to work with Arianna! I highly recommend the experience :D This fic has 3/5 chapters published so far, and I’m getting there with the 4th. I’ll share that Arianna finished the art for Chapter 4 the other day and it is STUNNING, so I need to get my part done! For anyone who doesn’t know, the fic is a retelling of the movie Practical Magic (I’ve never been able to get very far in the book, for whatever reason, so I wouldn’t count on the fic lining up with it). This one is close to my heart for many reasons, but I’ve especially enjoyed building Dev’s character and his relationship with Baz.

Absolutely everything else I published was for COC, and I’ll put it below a cut due to length. Thanks to everyone who read my work this year! As always, the output of this fandom is just incredible, and I’ve enjoyed being able to take it in as well as contribute a little myself. Happy New Year, everyone!

Something Old (1146, T) Simon finds something unexpected while clearing out space in the wardrobe.

Chosen (880, G) Agatha and Simon have just begun dating and Philippa attempts to engage her in a little friendly roommate squee. Agatha isn’t quite so sure.

I Hate You, Never Leave Me (2339, M) Simon and Baz have found a new and better way to settle their differences, by getting each other off all over campus. Will it evolve into anything more, however? (I love this one, honestly. Might have to someday write a more extensive version)

Greek (1565, T) Simon has to keep a very close eye on Baz in Greek class, for reasons.

Let Me See You (1205, T) Simon is the one to find Baz draining a deer in the forest instead of Agatha. His reaction is not what either of them was expecting.

Truth or Dare (2608, T) Does what it says on the tin—the gang play a game of Truth or Dare, and the dares reveal a little more truth than anyone expected. (Definitely not a groundbreaking take on the prompt, but I never really tire of reading truth or dare fics, and hoped readers would feel the same :P)

Gently, Gently (668, M) Simon and Baz spend the morning in bed, skiving off class and not regretting it at all. (I came to realize that an embarrassing number of fics I write either start out with the boys waking up in bed or that is the entire premise of the fic. “Waking up” is a weird fetish to have, but OK me, I guess)

Looking for Knives, Looking for You (1181, T) Baz reflects on all the wounds he and Simon have given each other over the years. (Despite the vicious sounding title and depressing summary, this one was meant to be sort of cute and sweet)

Hold You Safe (1015, G) At the start of Eighth Year, Dev and Niall’s relationship is still very new as they get some bad news from home.

Dinner (Guess Who’s Coming) (3525, T) It’s half term, and Baz’s parents want to take him to dinner. They invite him to bring a friend, but unfortunately for Malcolm, he pisses Baz off first, and Baz decides his guest will be Simon—the Mage’s heir, his family’s mortal enemy, and Baz’s undying secret crush. (As with nearly all my COC offerings this year, this fic was knocked out during my lunch break the day of, and it shows. It really could have stood to be longer and more developed, so maybe I’ll revisit it one day, since I did like the premise)

Stay with Me (878, T) It’s Eighth Year and Simon gets home late and injured from a mission. Baz arrives at a resolution. (I was a little baffled to get a comment about the Mage already being dead, since this fic takes place during the school year and makes mention of a very much alive Mage in multiple places. It was more of a statement than a criticism though, I think.)

A Charmed Life (1449, E) Baz and Simon have an utterly normal morning getting frisky in bed. (Again. Huh.)

A Horse Named Jane (736, T) Simon has that song stuck in his head again. The one Baz can’t stand. They work out a (sort of) compromise.

Sour and Sweet (3060, G) It’s Baz’s birthday and Agatha has just given Simon his walking papers. Oh no :P However, the breakup does little to lift Baz’s spirits. (This one has two chapters and filled two prompts, sour and sweet, natch. Chapter two’s summary is: Simon decides he needs to make something sweet for Baz’s birthday, even though he’s two days late and doesn’t know how to bake. Well, he’s got magic at his disposal, so things are sure to turn out just fine. :P)

Punk (828, T) Baz is making Simon join him for lunch with Fiona again, but Simon figures he’ll debut a new look & attitude. Will they actually make it to the restaurant? (I really enjoyed writing this one. Simon being frustrated with Fiona’s behavior and still being silly with Baz about it was just a happy place for me)

Surprise (733, M) Simon and Baz are engaging in one of their classic Mummers’ House tiffs. What will happen? :P (I did write a little surprise into this one, but it was very much in keeping with some of my favorite themes)

Cast in Fire (791, G) Simon comes to Watford and learns about how his roommate will be chosen.

Fluff and Nonsense (1627, T) The prompt is ‘fluff’ and did I once again take the opportunity to write a light-on-plot secret relationship fic about Watford-era Simon and Baz being cozy and silly in bed? Yeah, I might have. Simon is going home with Baz over the Christmas break. Not a lot going on here, they’re just really comfy and in love.

Pieces of Me (1557, M) Baz has been having nightmares. Simon comforts him and encourages him to open up.

The World Was Open (956, T) Agatha and Niamh attend Simon and Baz’s wedding, and Agatha overhears another guest making a snide remark.

Find Me (2374, M) Eighth year at Watford was unremarkable, and Simon and Baz last saw each other when they graduated. Seven months later, Dev and Niall drag a pining and protesting Baz out to a club for a night of drinking and dancing, but there’s a familiar face behind the bar. Simon Snow is serving drinks, and worse, he’s flirting with a Baz lookalike. What will happen :P (This was yet another fic that could have been developed a little more, but I was still happy with the result overall)

Warm Spell (1795, M) Goatherd Simon has been almost-encountering a beautiful stranger for several weeks now, but one hot summer day, they finally meet.

Lost and Found (575, G) The boys go shopping together and Baz temporarily loses Simon, but it’s all pretty plot-free :P

Truce (1101, M) Simon pesters Baz while he’s trying to study, and needs to learn a lesson. Will they be able to call a truce? (This one was where the trouble began—I changed my settings to allow comments from unregistered users, because I like to fuck around and find out, I suppose. And find out I did! Luckily, the rude comment I received took aim at some writing element that didn’t even make sense for this particular fic, and I quickly realized it was a bot. Not long after, I started getting comments on other fics as well, all very nonspecific to the fandom, characters, and genre. I’m so sorry because I know it upset a few readers who were very kind to clap back and reassure me, and I changed my settings back so that it wouldn’t happen again.)

Savour (1189, T) Simon has been away on one of his missions for the Mage, and Baz has been awaiting his return by leaving out plates of food in their room every night. (Bot’s review: “the worst fic in the fandom”. It’s not even the worst fic in my own oeuvre, so joke’s on you, guy XD)

We Were Always Together (2239, T) During cotillion class, Simon is forced to dance with Baz. The horror! (I flipping loved writing this. Full on had a blast and Would Write Again)

Let It Snow (925, M) It’s almost time for Christmas break at Watford, and it may not turn out as the boys planned. However, thanks to a spell gone wrong (or very right) it may yet work out for the best :P

Always (551, G) It’s Christmas Eve and Baz has just finished putting the kids to bed. Simon is putting the finishing touches on the Christmas tree.

Something New (990, T) Simon and Baz have a little tiff near the end of eighth year, but it’s not fated to last long. I’ve written a lot of secret!relationship Watford era fics for COC this year, some that could go together and some that were in separate universes. It’s been so much fun to write about the boys sneaking around, but this is…something new. :P (In which I was very pleased with myself for how I wrapped things up in accordance with the prompt. I really, really enjoyed COC this year :D)

Thanks for reading! I’m sure most everyone has already made their own round-up posts, but consider these no-pressure tags and hellos: @valeffelees @stardustasincocaine @bookish-bogwitch @facewithoutheart @c0nsumemy5oul @jasonfunderberkerthefrogexists @tender-ministrations @basiltonbutliketheherb @ghostpepperworld @larkral @letraspal @cows4247 @fiend-for-culture @palimpsessed @hushed-chorus @shrekgogurt @raenestee @cutestkilla @drowninginships @youarenevertooold @iamamythologicalcreature @beastmonstertitan @ic3-que3n @supercutedinosaurs @stitchy-queerista @alexalexinii @asocialpessimist @shutup-andletme-go @prettygoododds @ivelovedhimthroughworse @j-nipper-95 @wellbelesbian @bookishbroadwayandblind @orange-peony @papierhaikuphoto @martsonmars

[glitchy-npc]

19 please! For whichever ship you feel

19…for luck. Sidestep era. [AO3] for easier reading

“This is so stupid!” Ortega throws his hands in the air in frustration. “I don’t even know why they are insisting on another diagnostic, I’m fine!” The wires connected to ports along his knuckles and wrist flail wildly before returning to a haphazard heap as his hands fall to the sides of his medical bed with a soft thump. The wires are long enough to allow for at least some range of movement – the thick cables connecting to the ports in his spine, not so much. With the generator in diagnostic mode, his legs rest limply against the sheets, no electricity to transmit to the nerves there. He’s stuck and he knows it, so what else can he do but complain? 

You can empathize, all too well. It's why you agreed to visit in the first place. You know how it feels to be helpless, trapped – a lab rat to be poked and prodded until the scientists find the answers they're looking for. You try to suppress the memories but your brain never was very kind to you.

The sticky feeling of electrodes being fastened to your freshly shaved scalp. You’ll rub your head for weeks, still convinced the conductive gel is still there. The pain in your wrists from the restraints. Too tight, you had gotten too good at slipping out of them before. Not enough to activate your pain gate but sitting just inside the boundary of discomfort and pain that makes you grind your teeth. Or you would if not for the bite guard. You shouldn’t have bit that last scientist but it felt too good to truly regret it. Shouldn’t have gotten his fingers so close to your mouth, even lab rats bite.  

Ortega’s disgruntled huff brings you back to the present.

“You know why.” Despite the outburst you don’t look at him, instead you cross your arms against your chest, and squint at the output readings on the diagnostic terminal, trying to make sense of them. It’s not exactly your area of expertise but you’re starting to recognize some of the patterns. And you suppose the lack of giant flashing warning lights is a good thing. “You took a beating in that last fight so they want to make sure nothing got rattled.” You’d bet money his higher ups are more concerned about the machine than the man but you don’t point that out, he probably knows.

“Hey, we won didn’t we?” Ortega’s voice is full of wounded pride. Probably more than his body, in truth. Footage of the fight had been all over the news and the sight of the Marshal being thrown like a rag doll by a massive power armored villain had been a popular clip. The Rangers media team had done their best but the damage was already done.

“Barely.” You shrug. “It’s your own damn fault for rushing in.” You don’t need to coddle him, even if his ego is bruised.

“I knew you had my back.” Stubborn, as usual. 

“And you should be glad I did or you’d be in worse shape than just having to sit still for diagnostics. So quit whining.” There's a bite to your voice but it's more worry than anger. 

“I’m not-” He starts but sighs heavily. “Fine. I hate it when you’re right.”

“I usually am.” You don’t bother to suppress the smile tugging at the corner of your mouth.

“So…” He draws out the pause a little too long and you see him gesture at the monitor out of the corner of your eye. “You’ve been staring at that thing long enough, what's your assessment?”

You sigh through your nose. You don’t know exactly how his mods work and that's frustrating but from what you can figure out the majority of his systems are in the green. For all intents and purposes Ortega appears perfectly functional. You give yourself a mental kick for that. Functional. Ortega is a person, not a thing. Not like you.

“From what I can tell…it doesn’t look like there's any lasting damage-” You don’t get to finish before he interrupts you.

“Great! Unhook me.”

“What?” You turn to fully face him for the first time since you got here, his bright smile in stark contrast to your incredulous scowl. “Are you out of your mind?”

“Probably.” He chuckles at his own admission. “But you said it yourself, I’m good to go.” 

“I didn’t say that! And you do realize that if I fuck it up I could permanently paralyze you or electrocute myself or-”

“You won't.” The certainty in his words stops your rant dead in its tracks.  So sure, so trusting. What did you ever do to deserve that?

“How can you be so sure?” You need to know, it doesn’t make sense. 

“Please, you’re good with tech and electrical stuff, I’ve seen you hotwire more cars than I can count.” He holds up a finger for each new point that he makes. “You made a police scanner out of an old walkie talkie and who knows what else, that abomination of screens and wires you try to pass off as a computer and, dios mio, you even made a small bomb out of-”

“None of those are even remotely the same thing!” You groan. “But fine, it's your ass on the line and then we gotta get out of here, I’m probably breaking half a dozen laws just being here.” Not that you actually care about breaking the law, you just can’t afford to get caught. 

“Yes!” Ortega punches the air in triumph. “I am so ready to get out of here, I’ll owe you one.”

“You will, now give me your hand.” You hold yours out expectantly.

“Aww.” His smile grows wide and teasing. 

“Shut up.” You roll your eyes hard enough to hurt but this time he obeys. You try not to think about how warm his hand is in yours and you can tell he’s looking at you but you need to focus. You hold a breath as you slide the first grounding pin out from above his index finger and are relieved to see no sparks. You lay it gently on the bed before moving to the next. It feels intrusive, intimate, you can't tell if it's better or worse that he's not making any quips as you work. Maybe it's weird for him as well.

When you finish with the right hand, he offers his left unprompted and your own fingers move more quickly, more sure in their task. When the last pin is removed he mumbles something too low for you to hear.

“What?” And like an idiot you lean in. If you could read his stupid, static mind you would have known. Even without the safety net of your telepathy your reflexes should have been better. Maybe you were distracted, maybe you let your guard down, but you feel his free hand snake around the back of your neck and pull you down into a kiss. A deep one. You know you should pull away, it's not the first kiss you’ve shared but every one feels like one step closer to secrets you don’t dare reveal. Would he still kiss you if he knew? You’re mortified by the small sound that is teased out of you when his tongue brushes against yours but the embarrassment is at least enough to push yourself away.

“What was that for?” You say because you have to say something or you're liable to start kissing him again.

“For luck.” He punctuates his words with a wink.

“I don’t need luck.” You quickly duck and scurry to the underside of the medical bed, hoping your blush wasn’t as hot as it feels. “I need to concentrate.”

This is the most dangerous part after all, unhooking the ports in his spine poses the greatest risk, especially for him. There's a thin rectangle cutting through the plastic and foam of the backrest to bed where the cables snake through and you can see the hexagonal pattern of his spine mods and just a hit of his skin. You have to start somewhere so you choose the lowest port, closest to the small of his back. You take a deep breath and will your hands steady before slowly turning the head of the connector and sliding the cable out.

Ortega’s yelp startles you into dropping the cable and hitting your head on the hard plastic underside of the bed.

“What!? What's wrong!?” You can’t keep the edge of panic out of your voice, your heart is beating too fast, did you hurt him?

“Nothing, it's nothing! It's just…weird when I can feel my legs again, ugh they're asleep.” You can hear him shift as he tries to stretch newly invigorated muscles.

“You idiot, you almost gave me a heart attack!” You take a deep breath to return your heart rate to normal.

“Worried about me?” There's a teasing tone in his voice that would have gotten him slugged if you weren’t stuck under the bed. 

“Worried all this electricity has fried your brain more like.” You grumble as you start working your way up the rest of the ports.

“I’m not so sure how well I could argue that.” He says with a self-deprecating laugh. “But we should hurry, that might have attracted attention.” 

“You think?” You grumble sarcastically but your hands havn’t been idle. You breathe a sigh of relief as the last cable, one between his shoulder blades, is disconnected. You hear a small crackle and the smell of ozone. Looks like ortega’s got his power back. 

To prove it ortega leaps out of bed in one fluid motion as you scramble out from underneath it. He offers you a hand, which you take as he pulls you into a tight hug.

“I knew you could do it!” His laugh is happy and proud, arms wrapped tightly around you. You spare a moment in his embrace, safe in a way you rarely feel, but the clock is ticking.

“I thought you said we were in a hurry” You point out as you untangle yourself from him.

“Yeah, true, hey can I borrow your hoodie?” He pulls off the backless hospital shirt and gestures with it. “Would probably look suspicious.” 

You hate when he’s right.

“Fine, just don’t stretch it out.” You’re loath to lose one of your layers but you don’t have any other options. Besides, a shirtless Ortega isn’t something you can deal with right now. Not after that kiss.

“Thanks, I’ll owe you one.”

“More than one.” Several ones by your count.

“I’ll make it up to you.” He says with a wink, and you feel the heat creeping back into your cheeks. 

“We need to go.” You push him towards the door as he pulls your hoodie down over his head, several sizes too small for him. 

He looks back over his shoulder at you. “Race ya.” And he doesn’t wait for a reply before bounding down the hallway.

“Idiot.” You mumble, but you’re already chasing after him. Like always. 

[crowsintheforest]

it's been a few weeks, by the time I post this, since I finished wind and truth. mostly I wanted to write out my thoughts as best I can, think on it some more, because for the first 48h after I finished I mostly was just laying around like

this got out of control so putting my thoughts behind a cut. tl;dr, book good, I have lots of thoughts, can't wait for 2031 or whenever we get book 6 (and also the next mistborn trilogy, ghostblood trilogy, my guy)

overall, I really liked it! sanderson makes very breezy high fantasy books: characters who are easy to love, big world-shaking plots with strong small-scale interpersonal stuff, themes of love despite the horrors, and some of the most fascinating magic systems around. we got to see a bunch of that last one all tossed together, with all the world hopping going on.

it's been really neat seeing sanderson improve as a writer. while I don't think this is necessarily my favorite sanderson book (or my favorite stormlight, for that matter), WaT shows off how much he's grown as a writer and a storyteller. using 1400 pages to maximally show 10 days of story, across multiple perspectives, nations, and worlds, gives him a lot of room to expand to a breaking point, and he manages to hold it all together, even weaving themes of the power of collaboration and interpersonal responsibility, the false promise of acceptance without responsibility, the value of redemption through choosing over and over again to change, and how kaladin stormblessed is able to be exactly where he's needed at just the right time.

(extremely minor nitpick, but I do wish he'd lay off of using literally so often)

the plot was fine, and I was pleasantly surprised at how easy it was to keep track, even with fifteen billion things going on (if you're reading this far, you probably know what this book is about, but here's my best shot: over the course of 10 days before the ultimate showdown of ultimate destiny of dalinar v odium, dalinar and navani try to figure out why Honor died and end up with the worst babysitting gig; shallan tries to do a stabby and gets sucked into said history along with rlain and renarin, who are just figuring themselves out a bit; kaladin and szeth go on a murder road trip to szeth's home of shinovar; adolin tries his best to keep azir from falling to odium's forces; and venli desperately tries to find a home for her people and herself).

that was long. so I think the easiest way for me to do this is go character by character. so let's start.

I wrote so much I'm sorry

kaladin stormblessed: my emotional support bridgeboy going out there emotionally supporting the most mentally unwell people in this book. his dance with syl was a bright spot (even as szeth got kidnapped for murdering), and he's grown so much. I called him taking the herald position pretty much from the moment it opened for szeth, but that didn't make the journey he's on any less glorious. he's finally going to get a fucking break and hopefully help himself and the others heal. herald of second chances indeed.

also kudos to kal for getting tf out of the line of succession dalinar tried to en-dad him with by fucking off to a completely separate planet. maximum avoidance of lighteyed-ness through maximum acceptance of responsibility. I love him so much.

shallan davar: comparatively, not quite the depth I would have liked for shallan? but like kaladin, a lot of her emotional growth and development was in oathbringer/RoW, so getting to see her cut loose and accept herself, and use that acceptance for maximum output/knife was great. she and kelsier are going to fuck each other up and I am going to giggle with glee.

adolin kholin: I loved adolin before this book, I loved adolin during this book, and I will love adolin forever. his journey in this book is an interesting parallel to dalinar's and kaladin's, accepting his relative lack of supernatural power but also embracing his role as a leader and a helper. he helped maya! he helped his armor spren! he helped yanagawn!!! he used a candelabra in a duel!!!!! finally, he made the leap about oaths v promises before dalinar did, which strikes me as very adolin and also deeply sad because dalinar's dead and adolin never got to tell his dad about his realizations.

quick ot3 aside: I'm not okay that it's kaladin's gifts to shallan (boots to ground her) and adolin (a sword to support him) that got them both through their wedding. I'm not okay that kaladin is the first person they think about to improve themselves, after their spouse. I'm not okay that kaladin thinks of them as inspiration, and hope, and the drink with friends he's never going to get because his body's fuckin buried in shinovar and no one knows he helped to reforge the oathpact. I'm not okay about any of this.

dalinar kholin: so that oaths v promises thing? that dalinar has to accept because, as navani told him halfway through, he's gotta listen before he jumps, even when they're in agreement? yeah. breaking his oath to force a cosmere-level intervention, and make the other shards deal with odium. trading his life, his soul, his freedom, and his legacy, so that others might survive. and he dies protecting his grand-nephew. one of my favorite war criminals in fiction. I'll miss him very much.

szeth-son-neturo: did not expect him to give up his oaths in his apotheosis. in retrospect, very well foreshadowed, and I love that it is a decision that he took into himself, with hope for a future he never thought he deserved. his pokemon trainer journey through shinovar had some great fights in it, but idk, for all that he was the flashback character this time around, I don't feel like I learned anything new about him. maybe this is the end of his story, and I'm okay with that. hey sando can we meet his wife in the next books, she seems cool (and helped him bury kaladin's body for their first interaction, that's wild).

navani kholin: needed more of her. not sure how, and what we got was good, but...agh. I think she suffers the most from the condensed timescale post-RoW.

gavinor kholin: lol sanderson pulled an angel-and-conner on us. I had to put the book down for this one, I was giggling so hard for the wrong reasons. goofy ass twist my guy. based on a rugpull of navani losing the kid that I didn't entirely accept. can't wait for adolin to run into him in the future

sigzil: reading this book after reading the sunlit man was an exercise in emotional devastation and I will never get over sigzil finding himself, finally, and then willingly giving it up to save his spren and his comrades. fuck moash, seriously.

lift and vasher: what a duo. good luck with this one, vasher, you're going to train up a terror. you deserve it, after, what, Mad Sciencing your way to anti-light? for someone so smart, you're a dumbass.

hey btw where is vivenna, can't wait for that reunion (aka vivenna trying to gut vasher, which he deserves, what the fuck were you doing with gavilar my dude)

renarin kholin and rlain: much like navani, I feel like they kind of got the short shrift, although theirs feels less bad I think? navani felt like her continuation got cut short, but renarin and rlain both feel like their story is just beginning. which is probably the point? anyways, I like them both very much, more please. gay love saved the planet.

venli: really liked where we ended up with venli, who not only came to terms somewhat with her past devastation against her own people, but made the call to reach out to her enemies in order to forge peace. something about renarin and rlain's decision for a chance for the future via freedom of the imprisoned over continued oppression in the name of stability; paralleling venli and the singers' choice to reach out to jasnah, their oppressors and enemies, to mark their own space and nation? it's so good. I'm probably the most excited about this particular plot/nation-building moving forward.

thaidakar: kelsier what the fuck are you doing and why did you inquisitor one of your eyes, you know what happened to your brother (oh no now I'm sad about mistborn series 1 again)

jasnah kholin: you know what I realized, writing all this up, that led to jasnah's downfall? she hasn't really changed this whole series so far. journey before destination, you know? unlike pretty much everyone else, she thought she'd already finished her journey. she's the fourth ideal pretty much before the series even starts (maybe? I might be wrong), she's the smartest person in the world, she's taken steps to fill what she thinks is her weakness (strength on the front lines). but she never acknowledged that she could be fatally flawed, that she made terrible mistakes in what she thought was good, and never reconsidered her position as potentially hypocritical. I know we're getting jasnah flashbacks late in the series, so I'm excited to see where she goes in the future, but boy her shit got rocked by fen and odium.

hoid: lol. lololol. looooooooool.

[darcytaylor]

*sigh* Sis, we are going through it, aren't we? I've actually had to take the week off work because I'm simply out of it. I've been focusing on making seasonal food and drinks, getting cozy around the house and doing fun and relaxing activities. The colors of the trees outside are gorgeous and there's nothing like the sound of the gently falling rain to ground you. I'm going to be decorating for the holidays soon. It's important to remember that there are still good things in the world.

Personally, the majority of the fandom's output hasn't been for me since ~June since I'm not interested in shipping real people, so I've stuck to corners of cute Polin content and reasoned analysis (like your blog 💕). I love watching Polin edits, I've discovered so many great songs that way. I tried fics but I'm usually so mentally exhausted by the end of the day that I just don't have the bandwidth for reading. I revisited Notting Hill because Luke was talking about it so much, and there's a scene that I think the last drink one in the show is a reference to, so I thought that was cute. I've also been making my way through My Lady Jane (which is a very good show, I recommend) and one of the characters has a full suit made out of the same fabric as Colin's green/brown waistcoat that he wore when he and Pen were promenading and he was trying to teach her how to flirt, so that was also cute. For people who need that friends-to-lovers itch scratched, there's a really raunchy romcom called Zack and Miri Make a Porno that I love, it's a riot (though certain aspects of it haven't aged perfectly), just don't watch it with family 😅.

Take care of yourselves and don't let the bastards ground you down, we shall overcome 💪.

I'm glad you were able to take a week off to recharge and focus on the little things that bring you joy. Sometimes that’s exactly what we need to regroup and move forward. I love this time of year, too - the leaves changing colours is such a beautiful, fleeting moment. I just wish it lasted longer! Before I know it, winter will be here, and I’ll have to bring out my winter jacket, uggghhh!

I understand where you’re coming from with the fandom. I’m not a shipper either, and it can make it hard to fully connect with certain corners. But I really appreciate the people who follow me and engage with my posts, no matter where they stand (for the most part) - it means a lot! It’s so nice to hear you enjoy my posts and analyses - so thank you for that.

I haven’t delved into fanfics yet either, but as an avid reader, I know I’d probably fall down that rabbit hole fast! I usually read on my way to work too, and I’m not sure I’d want to dive into fanfics during my commute - it might be a bit much first thing in the morning! 😂

I tried My Lady Jane, but it didn’t quite click with me. Maybe I’ll give it another shot at some point - I tend to stick to rewatching shows I already know and love. BTVS, Shameless, Bridgerton - to name a few. They are my comfort shows and I tend to stick with them.

Take care of yourself, and thank you for the message! It’s always nice to connect with someone who gets it. ❤️

[redistrictgirl]

What could go wrong with my forecast?

Two days from the election and most of the big data nerds are still perplexed by the playing field - this big data nerd is no different. But I’ve already been paying close attention under the hood and preparing to take some lessons away depending on what happens on Tuesday. I think it’s important to stay transparent and humble, after all. Here, I’ll go over two red flags I’ve noticed this cycle, why I took the risks that caused them to pop up, and what would cause me to change my methodology in both cases. Get ready for a dry one.

Nonpartisans Flooding The Zone

This sounds oxymoronic, but it’s a pretty obvious trend with a clear explanation that doesn’t require me to be a hack. Three pollsters - Morning Consult, TIPP, and AtlasIntel - have released a heavy amount of unsponsored polling at different points throughout this cycle, data which seem to have skewed the averages quite a bit. One of them has been favorable to Democrats, one has been favorable to Republicans, and one has been pretty evenhanded, but they haven’t overlapped their big drops much, so it isn’t exactly canceling out.

Let me be clear - I believe all three firms are good-faith and not trying to get any particular result! But the more polls you do, the harder it is to keep them all quality. Given that Mr. Nate Silver’s model has the same vulnerability as mine, it must have been tempting to put as much data as possible out there as possible to push the averages towards your typical poll, minimizing the risk of being singled out if you’re wrong. I hadn’t considered that incentive, assuming most flooding would be done by generally hackish firms.

It’s possible that AtlasIntel and TIPP are both right, and their polls haven’t actually suffered too much from being released on a conveyer belt, so if Mr. Trump keeps it close or wins comfortably, it will probably have helped my model to weight those firms more and I won’t touch that aspect of my averages. But if Ms. Harris has a clear win, I’ll probably end up limiting pollsters to the weight of one unsponsored poll per race per week in my averages from 2026 onwards. Pollsters like YouGov and Emerson, who do a lot of work for a lot of different organizations, are better equipped to handle lots of throughput, so I’ll probably leave sponsored polls as is regardless.

Heavy Fundamentals Weighting

Even in the home stretch, about a third of my model’s outputs come from prior state and district-level elections applied to the current national environment. This is far, far more than most forecasters, but it helped me immensely at the House level in 2022, so I decided to stick with what works this go-around.

The problem? The fundamentals look far, far better than the polling for Ms. Harris in most states. The same phenomenon for Senate Republicans ended up dragging my model in that chamber down quite a bit in 2022 (though it was still fairly accurate overall), so that could be a possible second point (out of five forecasts) against my unusual methodology in that department. If the Vice President indeed loses noticeably, you can expect me to lower the weight of those variables quite a bit in statewide races (though I may still keep the House forecast as is given how effective my strategy was in 2022).

Summary

I’m only two elections into making these forecasts, so I’m still learning and evolving my strategy. I always strive to provide the best calls I can, so thank you for your patience! The last two things I’ll post after this but before the election are my personal unscientific predictions after Jon Ralston’s Nevada call, a development I personally find very important, and my final data-driven forecasts Monday evening. Have a great Sunday!

[robobirdie]

Arts for my Ninjago short

I made some illustrations for my story Anatomy of a Droid.

This illustration goes with this part of the story:

As Pixal had stated most of his systems had been shut down so were not making noise but it wasn’t quiet in his body. To indicate its healthy alive state Zanes power source not only gave off a quite low hum but a slightly electric toned sound that mimicked a normal hearts beats. Outside his body the sound along with the many other sounds his body made when active and functioning normally generally couldn’t be heard unless you pressed your ear against his body near the sounds source. His synthetic muscles and skin helped dampen the sounds to keep his functioning quiet both for his hearing and others. The sound from his heart had Jay and Kai unsettled. The others found it a bit unnerving but were pleased to hear it. The sound meant he was still alive and that his heart was okay. Zane’s power source was unique; none of them had a clue what exactly it was though in their investigations of it Jay and Nya found several very rare materials it could be but they weren’t sure which it best matched with. All they knew was outside Zane, Pixal who shared half the material from Zanes heart and a few other droids they had come across through their travels were the only ones to have and use this substance and Zanes father had never told them what it was or how he came to get it. They were guessing he wanted to keep the source secret and they felt that was probably a good thing. Whatever it was this material was very powerful able to not only give life to those of artificial make functioning like a battery for the energy that gave them life but had the potential to give great power under the right circumstances. When used as the power source for a droid it could give a long lifespan as long of course if it was taken care of properly such as not letting energy outputs get too low which was why Zane and others who shared his style of power source had a specially designed digestive system which could convert matter into an energy format their hearts could use and store. While this power source didn’t have the dangers of highly corrosive acid like a typical battery it had the great risk of exploding if overworked or overloaded by something like Jays powers. Because of this and not wanting to get electrocuted as well as Zanes body was very conductive they all agreed that Jay should refrain from using his powers while they were inside Zane. They didn’t want to do anything that could hurt his power source; while not entirely sure both Nya and Jay who understood Zanes anatomy best as they frequently worked on him and Pixal in order to keep them healthy were pretty sure if his power source stopped working for whatever reason it would not start again and without it they would lose Zane. They defiantly didn’t want that. 

When they got to the area of his left shoulder they could see some of the damages Pixal talked about but none of them could see one of these worms. The synthetic muscle that attached from the replica collarbone to a prong on the replica of an upper arm bone to help pull his arm up had been de-attached from the upper arm. They inspected the site.

“This doesn’t look too badly damaged. Some minor cuts to the synthetic fibres but some synthetic re-grow should fix it,” Nya noted and Kai wondered, “is that what that weird sickly yellow green liquid stuff I’ve seen you and Jay use while working on him is?”

“Yha, you should always use gloves when working with it cause if you get it on your skin it really burns; it makes synthetics re-grow while it de-grows organics,” Jay noted and Cole commented, “yha I can attest to that. I mistook it for peroxide once and boy was that a mistake. Made the cut worse and gave me blood poisoning. That was an unpleasant week. To be fare it was in the same bottle as the peroxide… I guess I should have read the label though before using it.”

“And that’s why we now keep the first aid equipment for Zane and Pixal in separate different looking containers and we don’t keep them in the bathroom with our first aid supplies,” Nya commented before Lloyd wondered, “what does that stuff do exactly?”

“Basically it makes synthetics re-grow and repair themselves. Unlike our fleshy makes the materials that make up Zane and Pixals make generally cannot repair themselves without an external aid. Only components of their digestive tracts can do that but that’s because those parts are made from tougher more complex self repairing synthetics unlike everything else which lack that ability. That’s where that stuff comes in. It’s a bit dangerous to work with and takes a few hours to complete its work but is much cheaper, just as efficient and I’m pretty sure Pixal and Zane prefer that method over other methods especially just removing and replacing parts. Unless something gets too badly damaged we use that method to fix things for them,” Nya explained and Cole commented while they continued to inspect the site, “yha I’m probably with them. I don’t know about you but it probably isn’t a nice feeling to just have a part of your body removed and thrown away if some things wrong with it. Like that was a part of you, part of your being and it just gets thrown away like some piece of trash. Sure it was damaged but it was still part of you part of what made you well you. Having that done probably would make you feel disposable; like your being means nothing like your life is almost meaningless and fake if someone does that. I know that’s how I would feel having something like that done.” They all looked at Cole a little taken back by his rather morbid comment.

“Yha I could see how that would really bother them; that’s not something pleasant to think about,” Kai agreed and Jay stated, “by the looks the only damage done here is to the fibres. Everything else is fine.”...

This one is for this part:

“You should recognise these structures brother, you had to help replace parts from them remember that?” Nya regaled and Kai stated, “yha don’t remind me; it was uncomfortable seeing and working on his insides. I never meant to hurt him, it was an accident. I didn’t realise he was there when I made that fire storm. I was just cutting off the bad guys so they couldn’t escape I didn’t mean for him to end up breathing in incredibly hot burning embers. To be fair Zanes disguise was really good, a little too good I didn’t know he was there.”

“How hot did you make that fire? It melted many of the sensors in his lungs and damaged most of the rest plus some of its tissues. We had to replace the whole things! Zane just wanted to repair what was there but it was all too badly damaged,” Jay explained and Kai noted, “I helped out with the cost and work in the repairs to show I was sorry. I prefer not knowing what his insides are like but I felt so bad especially since he spent a week in pain, with off sounding and weird breathing and frequently coughing from what I did. It was so sad, like seeing a sick kitten or puppy. He can shut off systems so why did he keep his breathing going if it was causing him such problems? It was to make me feel bad wasn’t it?”

“No more like the opposite. He didn’t want to unnerve anyone. He knows when he doesn’t breathe it unsettles some of us especially you and Jay…” Nya began and Kai commented, “there is just something unsettling seeing someone who’s living and so human like not breathing…” Nya continued, “yha that plus when he had his breathing off so he could get some sleep Lloyd had a bit of a panic thinking he was dead when he went to check on him so Zane kept them active to not scare or worry anyone despite the problems they were giving him.”

“Hey he was unnervingly still, he’s normally a restless sleeper so that wasn’t normal plus he wasn’t responding to me when I tried to wake him, that’s usually not a good sign. I was worried,” Lloyd commented as they inspected the area for the worm or signs of where it had gone. The only thing they could see was a rip in the side of his synthetic lung just large enough for one of these worms to pass through.

“He wasn’t responding because he was in a deep sleep being very tired from the days events and from having trouble getting to sleep because of the damages to his lungs. He didn’t want to be disturbed so set his body to basically a sort of do not disturb mode so he could get some sleep,” Nya regaled and Cole commented, “Yha cause Jay has a rude habit of disturbing others while they’re trying to sleep.” Jay added while they inspected the tear in Zanes lung, “I’d say sorry but there is no need for anyone to be sleeping till noon; sure I sleep in late but I’ve rarely gone that late besides it’s not fun having to wake any of the rest of you up. You can all be rather rude. You’ve punched me, thrown me across the room, thrown stuff at me, hit me with blasts of fire ice dirt water or energy not to mention set my clothes on fire, freeze me from the waist down to the floor, sent the chicken after me do I need to go on?” 

“I think I’m with everyone when I say when you’re sleeping it’s not pleasant to be awoken especially by your loud babbling and frantic shaking when you do it. Maybe we should wake you up in the same way,” Cole expressed and Jay commented, “hey what I do is not as annoying as some of you. Flipping my bed on its side, dragging me out of bed, making an earthquake, freezing my room, playing pranks on me like lighting off those little loud firecrackers in a metal bucket oh and how could I forget the time you dragged my bed outside and left me in the courtyard… during a rain storm! Again do I need to go on?”

“Hey sometimes you deserve it besides your reaction to some of those methods is hilarious anyway change of subject why is his lungs different colored from his synthetic muscles?” Cole wondered and Jay noted, “really you can tell it’s a different color.”

“What do you mean by that?” Cole wondered and Lloyd noted, “you have a tendency to mis-describe colors or not recognise them properly.” Jay added, “yha did you ever take that test we suggested you to?”

“I did,” Cole commented uneasy about talking about this and Jay wondered, “and what answer did you get?” Cole took a moment to respond.

“I have something called due-ter something. I forget the name it just means I can’t really tell the difference between red and green very well,” Cole noted and Jay commented while Lloyd cautiously approached the tear to look into it, “that explains some things like often mixing up Lloyd and Kais clothes or not following our instructions in video games like hit the red button and not the green.”

“Can we not make fun of my problems,” Cole commented annoyed by Jay who replied while Lloyd looked into the tear, “I’m not making fun just surprised you could tell his lung is a different color. As for why it is like that it’s to help differentiate the various components of his anatomy that way when you’re working on him you know which parts are for what system. You don’t want to accidently hook the wrong things up to each other. That really won’t help him and could cause problems.” Lloyd couldn’t see anything; it was too dark. He wasn’t wanting to venture deeper to get a better look unnerved by the dark and the fact the tear led to inside one of Zanes organs but as he tried to back up so someone else could take a more thorough look into the structure he was knocked off balance by Kai who unnerved by where he was wasn’t watching where he was going bumped into him. Lloyd tried to catch his balance but fell through the tear. The next thing he knew he fell a few steps down landing face down on a slightly elastic surface. The others quickly rushed over to the tear to get a look at what happened.

“I’m fine just watch your step,” Lloyd commented as he got on his knees and looked around. The others cautiously made their way to him Kai commenting nervous and trying to hide his feelings, “great we’re in his lung aren’t we? I was really hoping we wouldn’t end up in any of his organs.”

“Trust me this is probably the nicest and safest place you could end up in his body. Not much can hurt us in here. Trust me there is way worse places in Zanes body to end up in,” Jay commented and Kai quickly noted, “please don’t tell me I’m pretty sure I don’t want to know about them.” Compared to what they had been dealing with so far with relatively cramped conditions Zanes lungs were quite spacious and they were able to fully stand up. The place looked to be no more than an elastic synthetic made sack that in its resting state as it currently was it was only about a half its potential volume but it was still more spacious than what they had been dealing with...

Finally for this part:

“No no this is real bad! We’re in Zanes stomach! We’re going to get digested! There’s no way out we’re doomed! This can’t be happening it can’t be!” Kai was panicking causing Lloyd to give him a smack to knock some sense into him. It snapped some sense into him silencing him but he was still on edge and freaked out.

“Of all the places we could end up in this is the worst! There are only two directions we can get out of here and I’m not wanting to get out through the other direction especially if it involves having to go through the rest of his system!” Jay began to panic and Nya stated, “Jay chill Pixal will help us out of here. We’re not going to have to go through the rest of his system… I hope.”

“There are ways of getting out of here without having to go through his entire system right?” Lloyd worried and Nya explained, “yha. To make it easier to work on his digestive system is split into four main parts which can each be separated separately for work; his throat, stomach, small intestines and large intestines. Unfortunately though the worm could lock them preventing Pixal from operating them or if the worm went further in his system we might have to go down there to get it.”

“Let’s hope we don’t have to do that,” Cole commented. They took a moment to look at their surroundings as they all cleaned themselves off a bit having the slimy substance which was Zanes equivalent to mucus, some of his digestive fluids and some matter that was in it on them. It was grossing all of them out. The synthetic material that made up Zanes stomach was the same color as his throat a green tinted dark purple color. It was dark and would have been pitch black in there if it wasn’t for the lights on their attire. Since he was laying on his back everything in Zanes stomach was orientated so everything in it was lying on the back of the organ. They were situated by the top of his stomach by the entrance and their lights didn’t reach very far preventing them from seeing much in there. They took that as something relatively good as they were pretty sure they didn’t want to see what else was in there or the other end. What they were already seeing was gross and unnerving enough for them. Further hindering their lights and visibility was a slight haze in the air which they were guessing came from some of the gasses being produced by his digestive process. They were also guessing these gasses were partially responsible for the strong, unpleasant and chemically tainted smell that burned their noses a bit. Unfortunately their masks were only partially blocking the smell. While not too bad none of them found the smell very pleasant. Along with making their noses burn they felt a bit sick from it.

“This is the worst place we could have found ourselves in! So gross and dangerous! Very dangerous! At least it doesn’t smell too bad rate now,” Jay complained trying to calm down and not lose it making Lloyd who was unsettled wonder, “What do you mean not too bad, it can smell worse in here?”

“Yha, Cole and Kais cooking can make it way worse like that time Cole made that stuff before Wu got lost after battling the time twins that made us all super sick…” Jay began and Kai commented looking around terrified at where he found himself, “how could any of us forget that. It was nasty. All of us except for Zane and Wu spent the night in the bathroom so we didn’t have to rush to the toilets every time we had to throw up. You spent most of the night thinking we were dying. Wu was smart not to have some of that stuff.”

“Hey it felt like we were dying didn’t it! Anyway Zane didn’t escape from that stuff either. Pixal warned him it was dangerous but he didn’t listen not wanting to be rude. What it did to him was nasty! Zanes system made the stuff into this very sticky dough looking stuff that got stuck and clogged up his stomach and like the first 20 centimetres of his intestines. It was not only disrupting and obstructing his system but causing him quite a bit of pain. It smelt horrid, one of the worst things I’ve ever smelt. To make it worse we had to use our hands to clean a good deal of it out of his guts…” Jay regaled and Cole expressed, “please don’t remind me of that. If the smell hadn’t been bad enough you making me clean the stuff out with my bare hands just made it worse… just remembering it makes me want to throw up.”

“I considered that your punishment for making us all sick and having caused Zane such a problem. That stuff was nasty to clean up and it took over four hours to clean it all out. Luckily we put Zane offline so he wouldn’t feel anything. The whole thing would probably have been more unpleasant not to mention painful for him than us especially since we had to use some non conventional tools to clean it out like one of the bottle cleaners from the kitchen. That probably would not have felt good having that used to scrub your insides. Luckily the sensors in his digestive system have a thin coating of the systems synthetic tissues coating them so the stuff didn’t get into the structures to cause damages or clog them but the stuff was defiantly interfering with their proper functioning and irritating them. That whole ordeal is why you started taking cooking lessons isn’t it?” Nya expressed and Cole stated, “yha that and some other things. You guys always making fun of or complaining of my cooking is another.”

“You know sure it normally is not nice smelling in here it’s not supposed to but I think the smell is stronger and fouler than it should be. I also don’t recall a haze in here. I think because his systems have been off for a few hours but there is still stuff being broken down in here the gasses made by the process have built up a bit instead of being emptied or moving on in his system to then be emptied like they normally would making the smell worse than it should be,” Nya noted. Despite Zane not having anything for breakfast there was still some stuff in his stomach. Most of what was in his stomach was the leftover scraps from the previous night’s dinner that hadn’t moved on yet in his system with tougher materials like bones that were still getting broken down being the only things still relatively intact. Most of the bones which looked to have been from two or three bones had been broken bitten into various sized chunks with one that looked like it had just been swallowed partially whole probably by accident. All were scattered about the place floating or sitting in the acid and all showed heavy signs of acid damage and had bits and chunks dissolved from them. Most of the softer matter was largely to fully dissolved making it hard to really identify what they had been and was just stuck in there because his system wasn’t active preventing it from being able to move into the rest of his system. The peach pit was from a peach Zane had been given for lunch two days earlier and was half broken down. Whereas the others not even Cole would eat a peach pit Zane wasn’t bothered by eating it sometimes swallowing a peach whole. It wasn’t healthy for him to eat the pit and even though he could break it down he was unable to convert most of the matter from it into energy so they were not entirely sure why he had a bad habit of eating them.

“Why are there bones in here? Feels like I’m in a gator with them here. I made enough for everyone to have their fill last night he didn’t have to eat the bones as well,” Cole commented looking around at their surroundings and Lloyd agreed unsettled, “why are there bones in here?”

“I’m not sure; I can’t see how Zane would enjoy them so I think he does it by accident or maybe he doesn’t understand he’s not supposed to eat them or that he doesn’t need to eat them. He also tends to eat other things that you’re not supposed to like peach pits, the skin to melons and pumpkins and the whole of a corn cob though he can’t turn most of the matter from those to energy even though he can break them down. I know he can not only break down bones but is capable of converting some of the materials from them like the marrow into energy unlike the other things he eats that he’s not supposed to so it’s not bad for him to eat them. He’s just not supposed to purposely eat them. His ability to digest bones is meant to be a safety precaution to prevent damages if he was to accidently swallow some after all with his jaw strength and metal made teeth and bones it’s very easy for him to accidently eat bits of bone every now and then and when broken bones often develop sharp edges which could cut up and damage his system so his system dissolves them so they can’t hurt him. Eating them on purpose isn’t going to hurt him but it’s not the healthiest nor is necessary. Pixal doesn’t do it very often nor does she ever do it on purpose but then again she better understands what it means to be a nindroid and understands human ways much better than Zane does. If he is doing it on purpose then all I can think of as a reason behind it is maybe he doesn’t want to waste any of his food or maybe he doesn’t realise he isn’t supposed to eat them on purpose,” Nya noted and Lloyd noted, “I could see him not wanting to let them go to waste. He doesn’t eat everything like Cole but unless he doesn’t like it or it makes him sick or from what he says it has no use for him or is dangerous or causes him problems he’ll eat most things including things people can’t eat or drink like motor oil and unlike some of us he always tries to eat all of his meal especially if it’s something someone else made and gave him; he thinks its rude to refuse it. He might not eat it all at once like Cole will but will save it and finish it later. He also has a habit that when someone gives him something to eat or drink as a gift he'll have it even if he doesn’t like it, it hurts him or makes him sick; he thinks it’s really rude to not have it even if he doesn’t like it or it hurts him. Remember that fermented fish stuff someone gave us once?”

“Dude how could we, that smell was horrid!” Cole commented and Kai regaled, “that was one of the worst things I’ve ever smelt! Just the smell made us all nearly barf! Pix and Zane were lucky they could turn off their sense of smell around that stuff.”

“How could we not forget that stuff!” Jay agreed and Lloyd regaled, “yha, none of us were going to have the stuff but not wanting to let it go to waste Zane had it… well him and Cole after we dared him to have some.”

“Yha the taste was slimy and gross even after rinsing them and it did not make me feel very good after that. I am never having that stuff again. We should have just taken the stuff to a zoo or park and fed some gators the stuff,” Cole regaled and Nya added, “yha Zane didn’t feel too good from it either. The chemicals and bacteria from the fermenting of those things upset his system. A droids system doesn’t handle fermented matter very well; the chemicals and bacteria from it upsets and irritates their systems and they can’t process the stuff very well.”...

To read the full story you can go here: archiveofourown.org/works/4469…

You can also view the images here: https://www.deviantart.com/robo-birdie/gallery/90881021/anatomy-of-a-droid-works Story synopsis: Something is attacking Zane from the inside. To save him the ninja are shrunk and sent inside him to find the culprits who are scattered throughout his insides and stop them before they can destroy him for good. Will they be able to save him in time and who is responsible for this attack? Along the way the others learn about the anatomy of droids like Zane and a bit of how he sees the world. You also get some tales of daily shenanigans from everyone.

[wyrd-syster]

FANFIC ROUNDUP: 2023

LIST OF FANWORKS

POSTED

lend me some sugar (I am your neighbor) | Haladriel neighbors AU | E | 2/2

tell me something true (or tell me nothing at all) | Haladriel "This is How You Lose the Time War" AU | E | one-shot

it's a dangerous game | Haladriel Venetian-style "Dr. Jekyll and Mr. Hyde" AU | E | one-shot | dead dove

dig up the bones (but leave the soul alone) | Haladriel canon divergence | E | 9/? (wip)

living la dolce vita (I’ve been saving all my summers for you) | Haladriel "Stepford Wives" cult AU | E | one-shot

take a chance and roll the dice (say it once, say it twice) | Haladriel Halloween-themed drabble collection | M | 8/8

there is a light (and it never goes out) | Haladriel Hanukkah-themed canon divergence | T | 1/2 (wip)

sugar and spice (and everything...) | Haladriel neighbors AU | E | sequel to lend me some sugar | one-shot

Total words: 127,458, almost triple my output from last year. I am flabbergasted.

UNPOSTED WIPS

oh boy. Not including wips noted above:

we were angels, once (don't you remember?) | Haladriel immortal soulmates au | M (probably?) | one-shot

break the lock if it don't fit (love sticks, sweat drips) | Haladriel "Ocean's Eleven" AU | E | one-shot (title subject to change)

and on the creature scratches (it doesn't know how to get out) | Haladriel mob AU | E| multi-chapter sequel to oh, can’t you hear that scratching? (there’s something at the door) 

Untitled third installment of the Haladriel like a good neighbor series

Untitled Haladriel Rumpelstiltskin AU

TOTAL # OF COMPLETED WORKS/FANDOMS WRITTEN IN

Six completed works written for the Sauron (Halbrand)/Galadriel (Haladriel) fandom, The Rings of Power

OVERALL THOUGHTS

it's like I can't consume media anymore without being like "*leonardo dicaprio meme* this could be a Haladriel AU!"

PERSONAL FAVORITE?

I'm going to say living la dolce vita (I’ve been saving all my summers for you), mostly because of the amount of work I put into it. Honestly, I never thought I'd finish it! I restarted this story six or seven times — I just could not find the voice. But I am so pleased with the outcome. I think of everything I've written this year, this story really underscored to me that, beyond "flashes of inspiration," writing is a lot of hard work that needs consistent attention and practice!

MOST UNDERAPPRECIATED?

I definitely think this one is it's a dangerous game, my Dr. Jekyll and Hyde AU. I initially started writing this for a Gothic-themed challenge, abandoned for a bit, then finished in a flurry for Haladriel Week. This fic is also a close second for my favorite of the year. I love a Gothic aesthetic and I made sure this story was chock full of it. I was also so purposeful with my writing voice for this story and, to me, it doesn't sound like anything else I've written.

MOST POPULAR?

Oh without a doubt, lend me some sugar (I am your neighbor)! 

STORY WITH THE SEXIEST MOMENT?

I mean, this is so subjective, but I think the somnophilia scene from it's a dangerous game takes the cake for me! I wrote it in one sitting during my lunch break and my god was it hard to go back to work after this...

An excerpt from the end of the scene: Instead, he adjusts her skirts and melts into the darkness, leaving her as he found her; boneless and wet, flushed with heat and ripe for the taking. 

MOST FUN STORY TO WRITE?

Fun is a strong word, but I was the story I felt was most fulfilling to write was tell me something true (or tell me nothing at all). I already had some of the template letter concepts in my notes from a twitter conversation much earlier in the year, and expanding on them, while building the scenes around them, was a really fun exercise.

HARDEST?

I'm not going to lie, most of them! I used to be the type of writer who would have one flash of inspiration, write it up at a mad sprint, then quit writing until I was struck with another mad idea. I wrote for so many prompt and themed challenges this year that I was required to be more intentional about story building and more consistent with my writing — even when it was hard, even when I hated everything I wrote down. Felt a lot like muscle training at the gym!

BIGGEST SURPRISE?

My output really surprised me!! I complain to my therapist all the time that I'm shit at finishing things, but it's hard to deny the truth when it's staring me in the face: six complete stories, two wips that I will complete! And not just the quantity of my output, but the quality too. I am proud of, and really like, everything I published!

I mean, don't ask me how my social life is going lol, but at least my writing life is going well!

DID YOU TAKE ANY RISKS IN WRITING THIS YEAR?

Dipping my toe into Dark Fics for sure, which is new for me. But beyond that, just engaging with the fandom as a whole! I firmly believe that writing/story-telling is a communal activity and I am beyond grateful to have found that community. It's the first real fan-space I've been a real part of, and it's definitely improved my writing.

MOST UNINTENTIONALLY TELLING STORY?

My life is too boring to translate to fic lol. But I did not have to dig very deep to write the depression beats in living la dolce vita (I’ve been saving all my summers for you). A lot of what Galadriel goes through — the listlessness, the anger, the selfishness — is stuff I also struggle with during depressive episodes.

FAVORITE LINES/SCENES?

I like them all lol but these are a few that I know others, including my fiancé, have really liked:

dig up the bones (but leave the soul alone): “My lady, if I had a dragon’s tooth for every time you told me not to worry while you went careening off into peril, I’d have a smiling crown for my troubles.”

lend me some sugar (I am your neighbor): And she shatters, then, like glass; a thousand glittering pieces sailing off into the light. Irreparably damaged, ground to dust — edges sharpening as they fall into a mosaic of destruction. There is no end and no beginning. A lifetime of little deaths folding in on themselves, one on top of the other.

tell me something true (or tell me nothing at all): I am drowning in this ocean of blood. And you — you are not here to pull me to the surface as you once did. How could you, when you are wave and anchor both?

there is a light (and it never goes out): She can offer him no words of comfort, no platitudes to ease his sorrows. But she can offer this. The soft touch of her lips to his, the gentle stroke of her fingers across his cheek. She cannot mend a broken heart, but she can hold it for a while, cup it in her palms and keep it safe. She can pour her light into his darkened soul, weave together a dream where they are bound and they are whole. If only just this once.

MY FAVE PART OF FANDOM IN 2023

Literally just having this fandom. Having this community of wonderful, kind, incredibly talented people I can talk to, get advice from, brainstorm with!! I have made so many wonderful friends and I will be forever grateful.

2024 WRITING AMBITIONS

I want to continue developing a consistent writing habit, preferably once a day. Ideally, I'll become to type of girlie who wakes up at 5am and writes for two hours before work, but let's be real, I'm way to sleepy for that!

I also want to focus on two specific things: writing faster and writing less. First, I am, in my eyes, a slow writer — without that "flash of inspiration," it can take me a few days to write a single scene. Mostly because I do not follow my own advice and have to get everything perfect in the first draft. Second — as you can see from this post!!! — I have always been the type of writer who goes "why use one word when you can use ten?" I want to be able to write shorter stories without feeling like I'm compromising on my vision.

2024 FICS ON THE IMMEDIATE HORIZON

chapter two of there is a light (and it never goes out) 

the immortal soulmates AU

dig up the bones (but leave the soul alone)*  (which I think will be on hiatus until I can get a few chapters ahead before posting).

Thanks to @liminal-zone for the format, @conundrumoftime and @thecoziestbean inspiration!

[kuliak]

Below the break: a way-too-deep explanation of the behavior in this patch, and an alternate version:

Hey there! It's been a minute since I've had something to share. Life has been pretty crazy these last couple of weeks. Honestly, it may be spotty the next month and a half or so, but I want to make and share things when I can. It's one of the best things.

This patch has a lot going on. The first half is pretty simple: further exploring pseudo-complex oscillator setups with Banshee Reach and Ts-L, and compelling harmonic compositions with Bloom and Bard Quartet. A lot of this section is just "what I've done in the past, but better. I'm finally using a buffered mult to keep the carrier and modulator oscillators with a consistent ratio instead of half-assing it. Ts-L's sine is modulating BR's frequency, and wavefold is going to PWM - both attenuated to not drive the sound crazy. Envelope controlling a VCA on varishape output into Ikarie, which I now have FM'd by BR's sine output. It's all about the relatedness in this format after all!

I do want to say that as fun as it is patching up such behaviors, I totally understand the appeal of ready-to-go complex oscillator modules. This just eats up cables and space.

Now, the fun and more compelling part: the rhythm going on here. This patch was inspired by a conversation with my friend about wishing Data Bender had a "repeats" gate output, like Mimeophone and Nautilus do. As we talked things out, we figured that you could probably use some kind of boosted envelope follower on a mult of the output to create a gate, and friends, it works! Mostly.

I'm using a stackable to run the right channel of Data Bender's output into Strega's gain circuit and envelope follower, then sending that to the trigger in (1) of Tyso Daiko to trigger the kick. Now, this doesn't work every time. But I've found that with Data Bender in Micro Mode with saturation at about noon, it creates interesting sub-rhythms at quite a handful of time/repeats combinations. You can get it more or less reliable by scrubbing through the buffer (break knob in Micro mode) but there's no one setting there that works for every combo.

Since the signal needs to be just repeats (100% wet) to get this to happen, I had to use the full mixing capabilities of Cockpit as well: Desmodus (receiving the signal from Ikarie) is multed to both Cockpit and the Data Bender inputs. Drums of course go directly to the mixer as well. Of course, this is working as intended, but the nice thing about mix controls is I can usually be lazy and run a single voice through a single fx chain.

The initial experiments sounded great, and got me thinking about how much better this could sound with some additional percussion which is related but not so closely constrained by the DB parameters. I quickly threw this together, using IDUM as a rhythm generator by feeding it a clock and setting it to break mode at 100% probability. Additional percussion comes from Akemie's Taiko and Daiko(2) through Sinc Bucina (the latter two are on separate sequences for more complex sounds)

Honestly, I don't think this sounds as good in this recording, but has the potential to sound far better. In the primary recording featured above, I'm really playing the parameters as I feel out what does and doesn't work. It's constantly changing, but with oh-so-many sweet spots. With the added percussion though, it feels stagnant so much faster, and I'm overall performing the patch less. With a few more things added, a bit more variation programmed into the percussion voices, and a more complex pattern, I think this concept could far surpass the original. Sadly, it's already getting late and I need to un-patch to clear the desk for work tomorrow, so that's that for now. I'm certain to revisit the core concept in the near future, and I hope to really take it to the heights it deserves.

...So, why did I write so much for this patch? Part of it is that it's been so long, and I love writing these patch notes, so I need to make up for lost time. The other part is that this isn't just some normal patch, or more fundamentals - this is an original patch programming idea that I was through from conception to execution. It's so satisfying, and exciting, and everything I love about this format. I want to, and will, do more of it, and it's so exciting that I'll keep getting better.

[goshdarnitjay]

Hello! I was just curious as to if you write every day? I know that you have a full time job and everything and things can be stressful for you but finishing such a long ass story like what you owe and updating everyday when u did kiss for Kate bishop fic is just crazy. I swear ao3 authors are just different breeds lol.

yes, I do write every day now, but I never used to. I started back in September 22, giving myself a daily goal. I then gave myself a monthly goal and then several secret goals to trick my ADHD and executive dysfunction into starting the writing process at all.

More detailed description under the cut!

This is my word output since September 22:

(Dark Yellow is Goal. Light Yellow is Actual Word Count)

December 22 to March 23 was not as productive for me, because I was on the verge of finishing What You Owe and I was getting burnt out on it after, like, 180k of working on the same thing.

I keep myself motivated by keeping an excel sheet where i track my progress:

Starting Point and End Point turn green when I reach 100 words, and Word-Count turns victory blue when I reach 201. I'll be keeping my monthly goal at 10k from now on, because that is a realistic number even for a really bad month. that way, if I ever fail to go beyond 10k, I won't be disappointed. But as you can see, the last few Months have been quite a bit better. I usually take off between 1 and 3 days in a month to recharge. Usually after I've had a really, really hard day at work, or when I want to spend a whole day with family.

These are my three secret monthly goals:

They go down as the monthly word count goes up. It's an easy =WordCountMonthCell-15000 or 20000 or 25000

I used to really, really struggle with writing every day. I usually only wrote when I was inspired, which happened once every couple weeks, maybe. Sometimes every couple of months. This excel sheet has helped tremendously.

Number Go Up = Serotonin Boost 👽💜💚

I encourage anyone who is struggling with achieving this to find something that works for them. A reward system that's easy to implement and easy to keep track of. Excel did it for me.

In terms of my full-time job: I struggle with motivation and energy after a 9-10hr shift (understandably). So during my last middle shift (where I started at 9:30am) I got up 1.5hrs to 2hrs ahead of when I needed to get up so I could write before work. That actually also helped so, so much, because I wasn't exhausted and I didn't have a headache.

Early shift is kind of the worst, though. I get up at 5:30AM, so I would probably have to get up at 4AM and... yeah IDK lol I don't think I'm gonna do that. I'd have to get to bed really early, too. My body requires at least 9hrs of sleep to function optimally... We'll see. Early shift is also the most exhausting, because the employees are there from the very beginning to the very end, and they're annoying and needy and demand so much attention.

Hope you enjoyed my very in detail explanation on how I manage to write every day! 👽🐔💜💚

[nudebabitz]

hi! i’m a big fan of your work and admire so much how much writing you post. i feel like we’re always being graced by something new and wholly lovely. it’s a real gift and i’m so grateful that you share your work. i write fic too and often wish i worked a little faster. i’m wondering if you’d be willing to share about your process. do you have a writing schedule? what are your writing “philosophies” if you have any? is your writing pace something you’ve worked to grow as a skill, or is it something that feels like it comes more naturally to you? and if i’m being overly curious, just ignore me! i’m interested in other writers’ process but know these can potentially be big questions to ask out of nowhere. thanks!!

Hello!!!

First of all, I apologize for not answering this sooner. This is such a lovely ask and a lovely question. I attempted to get my thoughts organized, got super sick in the middle, fell a bit out of love with even writing fic, and am now back lol!

I will attempt to organize my thoughts a bit for this question, but I'm known to go off on tangents, so I apologize if something doesn't make sense. Feel free to send another ask/dm me/comment/etc for clarification or any follow-up questions :)

Right off the bat--thank you for your very kind words :,) and thank you for taking the time to read my fics! I appreciate you so much.

My process is a bit wonky. I have actually slowly and recently become aware that I don't work the way a lot of my writer friends do--in a myriad of ways. Like, my output is not necessarily normal; in some cases, I am way faster than some other fic writers in terms of putting out work, and in other cases, I'm suuuuuuuuper slow, as there are people who update a couple times a week and finish long-form fics in a handful of months.

I think it boils down to this--I started writing fic because I just wanted to read a certain kind of fic--so I wrote it. I just wrote it! I sat down and wrote exactly the words I wanted to read and then I hit publish and kept going. Anytime I got an AU idea that was particularly gripping, I would just sit and write it and that was it.

I don't outline 99% of the time. It is rare that I do and I usually hate when I do it because it ends up as a last ditch attempt to get all my ducks in a row for a story that is giving me trouble and then the outline becomes really restrictive for me and then writing becomes tedious. I think it's important to note that writing fic, for me, is a really creative thing that I try not to put pressure on myself for, and the way I write my original work is really different. With fic, I will just sit and write and hit publish and I'm lucky if I do a proof read lol. I will quite often catch typos MONTHS later. Lol. If I'm being patient, I'll sit and re-read and re-edit a fic over the course of a few weeks and it's always better and more fully formed and trimmed in the right places and (in my opinion) better when I do that, but the thing is, I really don't usually do that!

That gets to the next bit--writing philosophies. There's about a thousand schools of thought and they're all garbage. The only one that matters is the one that you come up with and that works for you. Now, that doesn't mean that your writing philosophy and approach to the craft has to be entirely independently thought up by you, no. It can and probably will be an amalgamation of your own ideas and other people's ideas that work for you! But it should be a bit of taking from other's here and there and finding what works for you.

Mine is sort of like this;

For me, writing fic is a lot of things, but at the core, it is about creativity, freedom, removal from a capitalist need to produce/creation for the sake of creation, and a place to push my own boundaries. I write super wild smut or crazy out there AUs just to push myself to see if I can write it. I write an AU I come up with while driving in the car just because it gripped me and I want to. I write super fast because the idea just grips me and I want to exorcise the demon inside me and vomit it all up on the page and feel better. I've found that if I stray from that and I write for another reason, I usually feel pretty crummy about it.

This, of course, means that I don't have a real schedule or strict deadlines for myself or anything. I just write for fun and that's it! I am sure it's probably frustrating as a reader and I am sorry 😭 tbh sometimes it's frustrating as a writer knowing I'd probably have greater readership if I was more consistent with updates and wrote on a schedule and stuff, but that's my own fault lol, I just follow the muse. That being said, right now, I remain committed to finishing all my WIPs. I don't have a timeline for that, but I do remain committed to it.

Of course, I don't know how much of this is helpful for you if you're looking to have more discipline in your practice, so here are some more practical steps to write consistently;

put aside time each day to write, even 30 mins a day is good

SPRINT!!! sprinting for 15 mins and giving myself an impossible word count to meet really pulls me out of a funk and pushes me to write

follow your muse where it takes you and write what feels fun

on the flip side, you have to sometimes be the grown up and force yourself to sit down and write the bits you might be dreading or putting off, and you just gotta do them! this is where sprinting comes in

Your last question; my pace really has just come naturally, it's not something I've worked on or worked towards. It's been a bit of a "oh I guess that's there" lol. Discovering my normal and discovering what I can reasonably expect from myself both length-wise and time-wise (in how long it takes for me to write something) has been hugely helpful in budgeting my time moving forward while writing and setting realistic goals and expectations for myself. There have been times I have pushed myself--like with Bridgerton, Actually, which I wrote updates for weekly--and times where I let myself have a chapter update with a low for me word count and remind myself it is fine lol. The pace is the pace and it just... happens! I will say that if you're looking to get faster, ask yourself why, and try to be realistic if the quality is going to grow along with the pace, or if it will suffer. There have been times where I've taken longer on an update, knowing full well I could just slap something down on a paper and hit update and not care, but I instead made myself work through things, even when I didn't want to, and take time with them, because I knew it would be worth it for the quality. Sometimes, however, I've sacrificed quality for timeliness (Bridgerton, Actually is an example of that; I still think it's a good fun holiday fic, but it's only about 33% as good and fleshed-out as I wanted it to be, but that's my own fault because I didn't start writing soon enough ahead of time, and I prioritized my update schedule over quality, and that was a concession I had to make my peace with!), and that's okay too, if that's what you know you're going to do going into something!

I think I answered all of your questions but feel free to let me know if you'd like me to expand on something :)) thanks for the question, it wasn't invasive at all! I love talking about the process <3

[newmusickarl]

Top 10 EPs of 2023

As we have seen, 2023 has been a mega year for new albums with LIES being named as my Album of the Year earlier this week. You can read why I was such a fan of that record, along with more on the rest of my Top 50 picks by scrolling below or simply flicking through the New Music Weekly archives for December.

However, as many great longplayers we received in 2023, there was an equal abundance of great shortplayers too. In today’s hectic world where the demand for “snackable” (shout out Andrew Belt for my word of 2023) content has risen, the humble Extended Play has seen a big resurgence. So I’ve looked back over the last 12 months and picked out my ten favourites of the year. As always, I’ve gone for an eclectic selection that pulls from various genres including pop, rock, electronic, R&B, and indie. So depending on your taste, hopefully you’ll find something to enjoy on this list.

Here we go then, my Top 10 EPs of 2023…

Honourable mentions

Forever Means by Angel Olsen

White Magnolia by Bear’s Den

The Rest by Boygenius

Heady Metal by Divorce

Julie Byrne with Laugh Cry Laugh by Julie Byrne & Laugh Cry Laugh

Alaska Sadness by Katie Keddie

That Sweet Breath by Lowmello

My Eyes, Brother! by Opus Kink

Not The Baby by Prima Queen

See You In The Dark by Softcult

10. Modern Day by Bloxx

Kicking off the list with London-based indie quartet Bloxx, who have had a bit of a tough time recently. With multiple shows in recent memory cancelled, it was great to see them make a welcome return in 2023, with Modern Day their first new EP since 2021’s Pop Culture Radio.

Much like their output till now, it is a collection of five songs that showcases the band’s talent for writing catchy hooks and memorable riffs, with the strong opening trio of Modern Day, Television Promises and Runaway helping it secure a spot on this year’s list.

Listen here

9. Not As I by George FitzGerald

It was also a great year for synth-driven shortplayers as one of my favourite electronic musicians of recent times, George FitzGerald, released a new four track effort - Not As I.

Opener Mother is worth the price of admission alone, a beautifully ambient groove featuring American musician SYML on vocal duties. That said, the mind-melting synths of Venera, the spacey chimes of the title track and the pulsating soundscapes of All Roads make this one well worth 15 minutes of your time.

Listen here

8. More Truth by Daniel Avery

Sticking with 2023’s best electronic releases, DJ and producer Dan Avery also released a companion EP to his acclaimed 2022 album, Ultra Truth.

Featuring seven excellent new tracks that didn’t quite make the final cut originally, including trippy Georgia collaboration Going So Low and the accurately titled Bliss, it’s another absorbing collection from the Bournemouth musician who seems incapable of putting a foot wrong.

Listen here

7. Freak Show by ALT BLK ERA

As you can probably tell if you’ve made it this far onto my blog, I am a big champion of new music. On top of that, I am also a big champion of new music emerging out of my world-class local scene in Nottingham. And of all the fantastic Nottingham acts who had a breakout 2023, ALT BLK ERA are the ones leading the charge.

Word is finally getting out about this alt-rock sister duo, who fuse mind-melting electronica, heavy rock and razor-sharp bars for a sound that is entirely of their own making. This was highlighted this week when the pair received a prestigious MOBO award nomination for Best Alternative Act, nominated alongside the likes of Arlo Parks, Skindred and Young Fathers.

So, with ALT BLK ERA seemingly right on the cusp of blowing up in popularity, now is the time to get yourself acquainted with their hypnotic genre-defying sound. Debut EP Freak Show released back in August is the perfect introduction for those not already familiar, with the opening trio of I’m Normally Like This, Misfits: SOLAR and the horn-backed title track all well worth checking out, alongside fan favourite Oggy. I promise you, it’ll be unlike anything else you’ve heard in 2023.

Listen here

6. Homospace by Mickey Callisto

When I was first introduced to Liverpudlian pop sensation Mickey Callisto at Dot-to-Dot Festival earlier this year, it was obvious from the get-go he was a natural-born showman destined for big things. An enigmatic, commanding presence on stage, it was an utterly captivating performance that made for one of the highlights of the day and left me eager to see where his career would go next.

Well, this November saw Mickey releases his first EP titled Homospace and I’m pleased to say it’s a star-making debut release - in more ways than one. Here’s what I said in my review for 5-9 last month:

“Loosely inspired by Arctic Monkeys’ Tranquility Base Hotel & Casino, Mickey’s debut EP sees him transport the listener into outer space for a visit to “a gay nightclub on the moon”. The sounds that welcome you upon entry are a mesmerising blend of disco, psych-rock and 80s-inspired synth-pop, with Mickey lyrically jumping between personal stories and cosmic metaphors. The result is a joyful, imaginative orbit around some ambitious planetary pop. This is a fantastic, high-concept debut EP from Mickey; one that is not just a lot of fun to experience, but also offers the perfect introduction and showcase for his talent. Offering a welcome escape into some vivid musical nebulas, once you’ve taken the trip to the outer limits, you’ll be reluctant to return back down to Earth.”

Read my full review for 5-9 here

Listen here

5. The High Life by Bloc Party

2022 was the year Bloc Party got their mojo back. Whilst the band’s 2016 album Hymns still had its moments, it very much reflected a band going through a transition. Indeed, Alpha Games was still far from a perfect record, but if you had ever been a fan of Bloc Party then there was plenty of familiar pleasures on offer. Following on from that effort then, and this year the indie icons released a new four-track EP where they sound even more rejuvenated.

It’s a fun collection, with summery indie belter High Life kicking things off, before brilliant KennyHoopla collab Keep It Rolling flourishes with that classic Bloc Party sound. Similarly Blue sees Kele finally get back in touch with his younger self, with the song presenting some of his most sincere lyrics in years. Final track The Blood Moon is then my pick of the bunch, with shades of Bigmouth Strikes Again by The Smiths early doors, before it then transforms into that vintage Bloc Party of old by the end, thanks to Russell Lissack’s signature riffing.

Even if you weren’t quite on board with Alpha Games, Bloc Party fans will find plenty of resemblance to that band they fell in love with all those years ago on Silent Alarm and Weekend In The City here on The High Life. Another positive step in the right direction for one of my all-time favourites.

Listen here

4. A Little Lost, A Little Found by Grace Carter

It can sometimes be lost on us as listeners just how derailing the pandemic was for new artists breaking out during that time. After discovering Grace Carter at Live At Leeds fest in 2018, it was evidently clear she was heading for superstardom. The following year cemented this prediction, as the London-based singer-songwriter made the BBC Sound of 2019 list and she set off supporting mainstream heavyweights like Dua Lipa and Lewis Capaldi on tour. However ever since the pandemic struck, Grace has been lost in the wilderness unable to further shine a spotlight on her evolving talent – until now.

Her incredible 2023 EP is Grace getting back to basics, releasing a collection of heartfelt pop ballads that explore identity, family, love and racial injustice. From the exquisitely produced groove of Pick Your Tears Up, the gospel-influenced Riot, the atmospheric tribal cries of Mother and the quirky vocal inflections of Hope, it is littered with moments that quickly remind us of Grace’s songwriting talent.

This is the mesmerising sound of Grace Carter finding herself again and getting things back on track – hopefully she has a clear run this time around.

Listen here

3. Welcome To My House by Yonaka

It doesn’t feel like too long ago I was stood watching Brighton rockers Yonaka perform in the 1am graveyard shift at Dot-to-Dot festival back in 2017. With a then long-haired Theresa Jarvis jumping off the stage to sing her lungs out amidst the modest, onlooking crowd, I was instantly entranced by the band’s energetic songs and performance. Fast forward to now and the band are now a prominent name within the British rock scene, with their songs constantly making their way into TV show, game and movie soundtracks. Returning in 2023 with another release packed with addictive commercial rock anthems, you get the feeling this new seven-track mini-album - which comes complete with a music video for every track - will only catapult them further up the chain of popularity.

With each song representing a feeling, memory or emotion within Theresa Jarvis, the trio blaze through each concisely constructed track, with most hovering around the two-to-three-minute mark. Propelled by anthemic choruses, polished production and Theresa’s ever-impressive vocal acrobatics, it’s another tour de force project from the band.

From rousing opener By The Time You’re Reading This to the anxiety-induced PANIC, through to the colossal confidence of Welcome To My House and the full-throttled punk of Hands Off My Money, it’s just an absolute blast from beginning to end. However, the EP’s best moment is arguably reserved for one of the band’s softest, most heartfelt songs to date – Give Me My Halo. Noticeably stripped back compared to the rest of the tracks here, it allows Theresa’s vocals to soar with her raw, passionate cries driving home the song’s uplifting message.

Across their early releases, their 2019 debut Don’t Wait ‘Til Tomorrow, 2021 mini-album Seize The Power and now this EP, Yonaka have built themselves an arsenal of bangers that would put most other British rock bands to shame. A seismic collection of anthems that will no doubt go down a storm when they take it on tour in 2024.

Experience the visual mini-album through the music video playlist here

Listen to the EP here

2. MANHOOD by ROB GREEN

From one visual EP to another then, however you arguably couldn’t find two more different in sound.

During my first visit to Hockley Hustle festival in 2022, an all-dayer around the cultural heartbeat of Nottingham, soul-pop sensation Rob Green’s acoustic set was such an undisputed highlight, I was wondering how he could possibly top it this year. Well, he managed it.

Performing in the corner of Broadway Cinema’s café with the Rob Rosa String Quartet accompanying him, people were literally queueing at the door to catch even the smallest glimpse of his incredible thirty-minute set. And rightfully so, as the enigmatic performer proved once again his unrivalled ability to bring immeasurable positive energy to a room and leave the audience joyously radiant by the end. I always thought if he could bottle that energy and transfer it to his studio output, he would be unstoppable. Based on his MANHOOD project released at the start of November, it looks like he had the same idea.  

Unlike any other shortplayer released in 2023, MANHOOD is a stunning new visual EP that explores masculinity, self-love and racial identity. Centred around his heartfelt recent singles I’ll Be Around and What Are We Waiting For, the other parts are short vignettes made up of beautiful gospel harmonies, catchy hooks, conversation recordings and deep spoken word passages. With the film version impressively shot in a single take too, it all makes for a powerful 10-minute experience.

A special project by a very special talent, MANHOOD gives the perfect insight into Rob’s unrivalled charm and heart as both an artist and performer. Due to take the project on a UK tour next year, I implore you to go out of your way to see his life-affirming live show if you can – I guarantee you’ll want to capture the positivity in the air and bring it home with you.

Watch the MANHOOD short film here

Listen here

1. Sucker by bexx

“Sometimes falling in love feels like the most important thing in the world, especially when you’re not doing it.” – bexx, 2023

For me, the very best shortplayers should be all killer no filler – with most at four to six tracks long, there really is no excuse on that front. Additionally for me though, they should also take you on a conceptual journey or tell you a story in the same way any great album would. Enter Notts-hailing, synthpop superstar bexx, with her banger-filled debut EP that guides the listener through the highs and lows of her hapless love life.

Ever since discovering bexx through a support slot for Fickle Friends at the start of 2022, she has been on a roll. From her incredible breakout single Hard To Love complete with soaring 80s-tinged guitar solo, to more recent efforts like the extremely catchy One More Night and body positive, rock anthem Prettier, bexx has shown her knack for writing addictive, resonant pop songs is as good as anybody in the genre right now. Taking her first big step forward in 2023, she finally released this her debut EP and it is just the perfect showcase for her talent.

Sucker presents five songs about the eternal search for human connection and the stumbling blocks along the way. It is an EP filled with irresistible tongue-in-cheek humour and packed wall-to-wall with cathartic, anti-love songs with which any amiable cynic can relate. This is “unserious, heartbreak pop” of the highest order and it makes for the most joyously fun EP of the year.

The opening title track is the perfect tone-setter, as bexx describes the urge to text back a former lover, with her wry lyricism firmly at the fore on lines like “I still wonder, do you wonder, how I’m doing, who I’m under – I’m not lonely, I’m just going through the motions.” It’s this light-hearted take on these common melancholic feelings that makes bexx so refreshing and the song itself is one of her most instantly gratifying yet, thanks to its hooky chorus.

Inescapably catchy single I’m Disgusting follows, where bexx describes becoming that hopelessly lovesick romantic she’s always despised (“The lovey-dovey shit belongs on the TV, I’d rather die”). However, the honeymoon period of the relationship quickly ends, as bexx then throws us listeners into the brutal break-up on excellent single, Stupid. Culminating in the frustration-fuelled refrain “I hate this song, ‘cause it’s about you”, it is tailor-made for heartbroken festival crowds to sing back with angst.

Recent single Bad For Each Other is then undoubtedly the EP’s best moment, with bexx found unravelling a toxic friends-with-benefits relationship (“Steal a kiss, 3AM, just a secret between friends – even though I don’t feel used, still a little bit confused”). Once again channelling some palpable rock energy with a guitar-driven chorus, it is mixed seamlessly with a brilliantly produced electronic beat on the quieter, almost whispered verses.

After taking this wild journey with bexx through her romantic life, navigating attraction, sex, heartbreak and all the mixed emotions found along the way, the EP’s climatic song Haha, I’m dying alone can’t help but feel brutally poignant. This is the moment where bexx finally lifts that shield of humour that she’s carried throughout just a little bit, but enough to show the vulnerability hiding underneath - acknowledging that making a joke out of these feelings is her way of coping with the strain of it all. It’s another special, brilliantly written pop song and it’ll have you reaching through your headphones to give bexx a big comforting hug at the end of it.

For a first outing, bexx really couldn’t have crafted a better shortplayer to introduce new listeners into her world. A collection that has been cohesively pulled together and is simply beaming with the catchy, singalong choruses and witty takes that have made her music such a joy to behold. She has really knocked it out of the park with this batch of songs and it is no surprise that it has held on throughout the year to remain my favourite EP of 2023.

Listen here

Thanks for reading – I’ll be back next week with final year-end awards, including my favourite live shows and Top 100 songs of 2023!

[ruemilley]

thoughts on The Blog + 2024 year in reflection + next year goals

hi there, long time no talk. if you don't remember why you're following me, it's probably because i wrote a lot of mp100 fanfic like five years ago. i haven't posted much on this blog this year besides reblogging some fundraisers and i want to try and use this more. hope you're doing well!

i think i tend to be pretty precious about what i put on this blog, because in my mind i wanted it to be creative updates and art only, but more and more i realize that i really enjoy reading what artists i follow are up to and thinking about whether it's creative or not. so i want to try and post more casually too. sharing what im up to + occasional reblogs. i hope you enjoy that kind of stuff too.

i made a tag on the blog for stuff ive made called.. #stuff ive made. so it'll still be easy to find my art and writing. ill probably make a pinned post with that info in a little bit.

ok, so other orders of business, how was 2024 for me?

2024 was pretty good for me. it was not quite what i thought it would be-- i had a few different goals at the beginning of the year that i ended up shifting on. i also cannot find my new year's resolutions from last year which is surprising because i pretty much always make them.

however, i made some general accomplishments that im pretty happy with, such as:

switching from misc freelance scrambling and part time work to a 40hr/week job, with way better pay

going to water aerobics twice a week fairly consistently, which is the first time i've consistently exercised maybe ever

taking my health more seriously in general

finishing a rough draft of a comic script (which i then put aside, due to next accomplishment)

finally dipping my toes into game dev which i have always wanted to try but was always too scared to

cutting way back on social media usage and being stricter with how much time i spend on my phone

generally Putting Myself Out There more and making friends in da city

so i'm pretty pleased. however, as i think at the end of every year, i still feel my creative output is not what i wanted it to be. admittedly i did draw more than i have in a while. i worked on several projects and got a few things off the ground. but not much i feel i can share. i feel like i consistently did more, but my output was just very slow. this is partly from working on larger projects and things that are time consuming, but man, i want to prioritize this stuff more.

i also find that i am struggling a bit about what i want to be working on creatively. i have ideas but everything's a bit half formed. i think this year i've unearthed some insecurities about the quality of my work and ideas-- i think previously i just told myself that if i sat down and did stuff i would be a savant, i just hadn't gotten around to it yet. this was definitely just from a fear of failure. ok, so i did sit down and do some stuff and it was kind of just ok-- at least to me. what now?

so, i need more time to work on stuff and i need to develop my Artistic Voice or whatever. point one is a bit easier to find a solution for, even if it's scary- im planning to cut back my work hours in the new years and set aside fridays for personal project time only. this is mostly stressful because everything on earth is only getting more expensive but i think i just need to do this. if i don't i will always wonder what if.

...point two is vaguer. how do you develop an artistic vision and goal? admittedly, i think i put way too much pressure on myself to have consistent creative styles and interests. but at the same time, out of all the things i love, there has to be something im drawn to creatively, right? even if i haven't realized it yet? besides anime fanfic epics?

well, probably just in the doing things will emerge. i'll focus on that for now. this seems like a similar question to high schoolers asking how you get an Art Style, and not realizing that's just something that naturally emerges when you draw a lot. you can certainly point it in certain directions, but it won't settle and be yours unless you do it a lot.

okay, what else. i have some other personal goals i won't share here, but one more i WILL share here is i think in 2025 i really want to engage with less passive media. i love to put on a youtube video essay and play a game on my phone. lots of half attention to things that don't deserve my whole attention. i think that's ok sometimes to relax and unwind, but i feel like i missed out on so many cool stories by doing that. i feel good about this goal because it's less about Reading Twenty Five Books This Year Because That's Good For Me and more about experiencing stories because i want that.

this year i read stone butch blues and i remember thinking at the end of it, why am i not reading things like this all the time? why am i not devoting myself to experiencing beautiful works of art? why am i more likely to put on ten hour let's play of a mediocre PS2 game that no one has ever heard of than to watch a two hour classic movie that will emotionally resonate and maybe change my life?

...well, it's partially because that gets emotionally exhausting. it's ok to chill out some. but i don't want to pacify myself all the time. i need to think about how to make this a Measurable Goal or whatever, but i'm excited about it.

i think that's all i will put here. i hope you have a good new year's and that 2024 wasn't too painful for you. i feel as though most of the internet was cruel and disheartening this year- endless windows into the worst of humanity. things that were painful to read, while also knowing they would be thousand and thousands time worse to experience. even so, i saw a lot of kindness too-- people reaching out to help, and the generosity of my friends and family. i hope you saw some of that too. here's to 2025.

[allthemusic]

Week ending: 17th December

Well, it was gonna happen at some point: Russ Conway does Christmas. I'm going to make some predictions about this before starting, since Russ is nothing if not predictable. So, here goes. I think we are looking at a jaunty piano number, probably with some sleigh bells or other Christmassy touches like church bells or a glockenspiel. I think we're going to have sparkly snowy-sounding high notes, like flurries of snow, I think we're going to have some driving hoof-beat percussion, and if we're lucky, we might get little quotations from other Christmas tunes or carols? Major key, of course. And probably fairly fast, to mimic a racing carriage. Shall we see how many I got right?

Snow Coach - Russ Conway (peaked at Number 7)

Well, we're immediately in there with several predictions correct - this is indeed a jaunty piano number, very major, and sounding almost exactly like Roulette, actually. Not that that's a huge surprise, since all of Russ' music sounds pretty similar. We're going at quite a pace, and we do indeed have sleigh bells. We also have this repeated jumpy pattern that I think counts as sparkly and snowy-sounding. Not sure what makes it snowy-sounding, but it definitely does. So yeah, basically everything I said, barring the hoofbeat percussion, and the quotations from Christmas carols - which were honestly a bit of wishful thinking on my part anyway. Altogether, not too shabby, eh?

I kind of like it. Normally I've not much time for Russ' identical-sounding jingly ice-cream van instrumentals, but if there was any season that it works in, it's Christmas, with all its frivolity and deliberate jollity. Plus, the sound-painting works pretty well. The songs really does sound like a coach or carriage travelling through snow should sound, somehow - there's touches of Jingle Bells, and possibly of Troika. It's a very specific genre of Christmas song, one that's quite forgiving of a certain degree of repetitive cheesiness. Which obviously suits Russ, whose whole shtick is that his songs are repetitive and cheesy.

I was also watching a video recently, weirdly, on sound design in video games, and how video game composers create winter-themed music specifically to suit snow levels in video games. It was a real deep dive on the sort of instruments and chords and arrangements that get used to mentally conjure up the idea of snow, and the feelings associated with winter, and the way that composing for video games is different to a normal piece of music - you've not got the same sense of a set start and end to the piece, it has to be able to loop, and not to feel like it's necessarily going anywhere, because you don't know how long somebody's going to take to complete a level. It needs to have a sense of progression and moving along, without ever resolving or reaching a solid, definitive ending. It's a tricky needly to thread, and weirdly, Russ has nailed it here, decades before anybody's thinking about video games. You could turn this into chiptune and it would be an absolutely banging addition to a Mario-style game. I'm imagining a level where you have to steer a coach around on slippery ice, or something similar - all to Russ' chipper, cheery tones. Strangely compelling.

I like the video game version of this that I invented in my brain more than the actual reality of it, which, like much of Russ' output, does become wearing pretty quickly. Still, Christmas is the time for stuff like this - if it's going to chart, let it be at Christmas. It's the same reason I don't really mind when Winifred Atwell makes her annual Christmas appearance (and she will, don't worry about Russ outcompeting her just yet!)

Favourite song of the sleigh-bell-bedecked bunch: Snow Coach

[texas-electricity-ratings]

ERCOT Report Mulls Winter's Approach

ERCOT Report Mulls Winter's Approach

Does ERCOT Report a Steady Winter?

While the latest ERCOT resource report shows Texans won't have much to lose sleep over, it does cover where the grid is at risk for problems.

Your air conditioner is probably running less these days. Cool overnight temps mean HVAC fans don’t kick on until mid-morning. But as winter nears, Texans may wonder what lies ahead for the electric grid. ERCOT just put out its November 2024 Monthly Outlook for Resource Adequacy report. This report forecasts demand and resource availability as temps begin to drop. So, let's see how the Texas power grid might fare this winter.

High Demand Despite Colder Weather

The ERCOT report reveals that even as cooler weather settles in, demand for power will remain high. Though winter coats will hang in the closet for another few weeks, early fall is known for its unpredictable temps. There’s always that one cold front each year that doesn’t stick around for the season. So, sudden heating needs can quickly spike demand. ERCOT predicts a peak load of 64,795 MW for November, with the highest demand expected around 7 p.m. each evening. 

To meet this demand, ERCOT plans to have 74,065 MW of total resources available under normal conditions. This includes an extra 869 MW in capacity from October. Of that, there's 538 MW from solar power and 281 MW from battery storage. So once again, green energy comes in clutch for Texas!

Report Covers ERCOT Resource Adequacy

The November outlook takes two approaches to managing resources: probabilistic modeling and deterministic scenarios. The former approach assesses risks that could trigger an Energy Emergency Alert (EEA) or even controlled outages. These risks are highest during the evening, as solar power drops off while demand peaks. The report shows a small chance of reserve shortages occurring at the highest risk hour of 7 p.m. This is when the chance for an EEA peaks at 8.65%.

On the other hand, the latter approach sees how much capacity ERCOT needs to maintain reserves. For November’s high-risk hours, ERCOT thinks it can normally provide up to 12,917 MW in operating reserves. This can rise to 14,983 MW if it taps emergency resources. So, that’s quite a bit of cushion! 

ERCOT Report Notes Risks to Grid

The ERCOT report notes several risks that could threaten the grid's stability next month. Because wind energy can vary greatly, low wind output remains a concern. Also, many thermal power units — such as coal, gas, and nuclear plants — often undergo maintenance in the fall. After all, this is the best time of year for a thermal plan to go offline. If these units face unexpected outages, the grid could become strained.

No matter what the weather does this winter, your best bet to save money is a new power plan. Shop from electric plans at http://www.texaselectricityratings.com/electric-rates to find the best plan for your home’s usage. You'll be prepared for January when your heater will work its hardest!

[britesparc]

Weekend Top Ten #650

Top Ten Songs by Ex-Beatles

Have you heard of this sweet band called The Beatles? Turns out they were really big a few years ago. They had a bunch of hits and then broke up and then were never heard of again.

I kid, I kid. I do wonder sometimes what it must be like to be a Beatle. If you’re like, Paul McCartney; you must walk around with this knowledge that, on balance, you’ve probably had more direct influence on Western popular culture than anyone else currently alive. Who else is there? George Lucas? In terms of sheer number of people touched (not like that). You can absolutely draw a dividing line in music between “before the Beatles” and “after the Beatles”, and whilst I’m sure that does a huge disservice to all the influences the Beatles had, and similar bands that came both before and after, let’s face it – it’s true. They’re, like, the band, just like Wolverine is the X-Man (I don’t think George Lucas is the director, to be fair, but Star Wars is probably the blockbuster; Spielberg is probably the director, if you’re talking about mass appeal, but he’s “just” a guy who’s top of his game and redefined Hollywood moviemaking fifty years ago, but there are other phenomenally successful and talented directors, just as there are other phenomenally successful and talented musicians and writers and artists and, I dunno, pastry chefs. But right now we’re talking about the Beatles).

Because the Beatles were around as a proper group for a surprisingly short amount of time, and because all four of them were Very Good, they’ve had quite a while to build up a collection of solo hits. And that’s what I’m celebrating this week, for no particular reason: the various post-Beatles Beatles songs. I’m gonna come right out the gate and say, I don’t think – generally speaking – any of their solo efforts eclipsed the best of the group’s output; but still, there are some proper bangers here as I’m sure you’re aware. Soulful ballads, love songs, hymns to peace, arguably the best Bond theme, and some frogs. What more do you want out of a legacy?

Now, I’m calling these “solo” songs, when some of these are technically from post-Beatles bands – specifically I’ve got a couple of Wings songs on the list (“the band the Beatles could have been”, A. Partridge). But let’s be honest, Wings is basically Paul and his mates. As, I suppose, the Beatles was, to be fair; but for the sake of this list, as much as it may unfairly underestimate the contributions of his bandmates, I’m just calling Wings songs “Paul McCartney” songs for the time being.

I said there’s no real reason why this list is happening this week – it’s one of those that I’ve been meaning to get around to for a while – but funnily enough I did see something recently that I’ve never seen before. You may or may not be aware, but about a decade or so ago, Robert Zemeckis was going to remake Yellow Submarine. This was when he was deep in his mocap phase; you remember, when the Oscar-winning writer and director of Back to the Future and Who Framed Roger Rabbit decided to sack off live action and just make those freakishly uncanny mannequin movies like The Polar Express. Anyway, he’d assembled a cast and got to work, and then the film was cancelled – probably because these performance capture movies are very expensive to make, generally turned poorly, and more often than not bombed at the box office. As much as I’m not really a fan of the photo-real approach Zemeckis usually went for (like I said, it gives the characters an odd, uncanny look; the same is true, I’d argue, of the human characters in the Shrek movies, which have dated a lot more than, say, the cartoonish Incredibles), I’ve always thought this was a bit of a shame. Zemeckis is a huge Beatles fan, the guys playing the band were really good, and the wackiness of Yellow Submarine meant he might have been able to do some funky shit. And lo and behold, some test footage has emerged. Yes, it’s still a bit weird and uncanny, but it’s also exaggerated and strange; it would have been nice to see if it had held up across an entire film. C’est la vie.

Anyway! Where were we? Oh yeah. A list. Here you go: have at it.

My Sweet Lord (George Harrison, 1970): Harrison wrote a number of songs that are really spiritualistic peans to peace, and this is the greatest. An evocation to the almighty, a striving quest for spiritual understanding, but also something that feels greater, feels allegorical, feels like it’s about more than just God. The Hindi chorus and other eastern influences add flavour and complexity to the sixties-style folk rock, and Harrison’s voice is beautiful. There’s a sadness to it, too, like it’s someone reaching for something they know they can never possess.

Live and Let Die (Paul McCartney, 1973): surely a shoe-in for best Bond song, this is a multifaceted number that I adore for its eccentricities. From the vaguely seventies-folk-rock stylings of the opening, to the almost disco-flavoured instrumental section, to the weird jaunty bits (“When you’ve got a job to do,” sounds like it could be the title song from “Oh James!”, a cheesy sixties sitcom about James Bond), it really runs the gamut. It’s strange, it’s funny, it’s cool, it’s badass. Perfect Bond.

Jealous Guy (John Lennon, 1971): there are, funnily enough, a couple of songs here that seem to express a similar sentiment: a bloke who’s in love with someone and sort of feels he doesn’t deserve them. This is an interesting and complex song, a man apologising for his misdeeds, but presented as an absolute love song. Lennon – arguably the best voice of the band? What do we think? – is on top form here, with a pained, haunted, but ultimately beautiful vocal.

What is Life (George Harrison, 1971): an incredibly upbeat, propulsive love song, and – vaguely similar to Jealous Guy and Maybe I’m Amazed – another one that sees a bloke basically saying he’s nothing without his love. What is life without you by my side? Whether this question is passionate or even metaphysical, the song itself is so beautifully cheery, so optimistic, so jaunty, it makes you feel only good things.

Maybe I’m Amazed (Paul McCartney, 1970): here’s McCartney circling similar topics to his mates; a tender song of a man just flabbergasted that he’s got this woman in his life, attributing all these good things to this one other person. There's a fantastic juxtaposition, too, between the beautiful piano ballad and the throaty, stadium rock register in which McCartney sings; like the love is bursting out in explosive fashion, even in a tender love song.

Band on the Run (Paul McCartney, 1973): this is just so delightfully weird; a bonkers hymn to, well, I don’t really know what. The number of different styles and genres it explores, the multiple types of musicality, the different vocals and instrumentations, all telling a story that frankly defies explanation. There’s a touch of the Seargent Pepper to it, but with the oddness dialled all the way up to nearly Walrus proportions.

Gimme Some Truth (John Lennon, 1971): Lennon is perhaps most famous, post-Beatles, for his songs about peace and love. This, though, is an angry tirade at “short-sighted, narrow-minded hypocritics”; a howl of fury at The Man and all he has wrought. It’s also got some fantastic wordplay and stunning lyrical work – “son of Tricky Dicky”, the use of “Mother Hubbard” as a euphemism. Plus Harrison making magic on guitar.

Give Me Love (George Harrison, 1973): another one of Harrison’s songs of love, peace, and tranquillity that can either be seen as resolutely spiritual – asking god for love – or just, well, a song about someone he fancies, wanting love with this one person. It's beautiful and optimistic, a quest for eternal happiness, with some great lyrics. He just made you feel happy, by George.

We All Stand Together (Paul McCartney, 1984): I’m being deadly serious. Macca comes in for some stick for some of his, er, weirder songs – Mull of Kintyre also nearly made the list – but outside of me flat-out loving this song as a kid, it’s a very well-constructed harmony and is a masterpiece for its target audience. The dude’s got range is what I’m saying.

It Don’t Come Easy (Ringo Starr, 1971): now I know what you’re thinking. You’re thinking I’ve just stuck this sole Ringo song here at the end of the list because I felt bad that the star of Thomas the Tank Engine & Friends didn’t write anything as good as his former bandmates. To which I say: what’s that over there?! Seriously, though, whilst I don’t think anyone would try to claim that Mr. Starkey is quite the solo artist his fab friends are, this song is still a nice chunky bop that sounds like something from the Beatles’ heyday and also has an appealing bit of edge to it.

So this list, right; this was incredibly hard. In fact, it’s basically arbitrary; there were at least another five or six songs (Beautiful Boy, Silly Love Songs, All Things Must Pass) that could have been on this list – just as good, really, as the songs I’ve chosen. And the placements of most of the songs could easily be swapped almost entirely. It turns out that the Beatles are very good at music. Who knew? Cilla, probably.

Something else I’m just going to say quickly, is whilst the achievements of the Beatles are phenomenal in and of themselves, I can never get over how George Harrison more or less did the same thing all over again by effectively saving the British film industry in the 1980s. Honestly, the guy wrote While My Guitar Gently Weeps, and got everything from Life of Brian to Withnail and I to Mona Lisa made. Genius.